Super Invincible Battleship
Chapter 971

Chapter 971: Chapter 391 Population Strategy_3 Chapter 971: Chapter 391 Population Strategy_3 Moreover, Yan Fei hadn't lied. Given more time, he naturally could transform the entire territorial waters into land, relying on his own abilities.

Just like the previous process of creating 202 square kilometers of land, after the second batch of new land was created, Yan Fei sharply noticed that the White Mist in the sky began to change, gradually becoming thinner. Judging by the speed of the thinning mist, in at most six months, the White Mist above the new land would dissipate completely and become known to the world once again.

As for this strange phenomenon, Yan Fei didn't know the reason either. However, he immediately took Yang Qi to the new land to analyze the cause of the mist's dispersal. After toiling for a while, Yang Qi couldn't find the cause, and had to leave, helpless.

Yan Fei said, “In at most six months, the White Mist in the northern sky will completely disappear, unveiling the newly created land below. But before that, we can take the opportunity to plan and develop that piece of land. The Chinese History Museum I'm planning will be built on that fresh land.”

When Yan Fei began the second land reclamation, Lu Pingping became aware of it, and they reached a consensus on the development of the new land. Seeing that Dream Island suddenly gained three thousand square kilometers of new land, Lu Pingping was very happy and naturally agreed to Yan Fei's seemingly trivial action.

Even though they had solved the issue of land usage, someone immediately thought of the practical issues of building a museum and asked, “Boss, we are Chinese People, and everyone on Dream Island is also Chinese, so there's no problem with building the Chinese History Museum here. But the Chinese History Museum needs a large number of cultural relics for exhibition, and we don't have any Chinese Cultural Relics. How are we going to display them to the public? Also, where will we get the Western Artworks from?”

Yan Fei replied, “Our Chinese History Museum doesn't have to display genuine articles. We can investigate other museums around the world, then replicate every discovered Chinese exhibit, and put these replicas on display in the museum. Any cultural relics found outside the bounds of China will have the location of the genuine article listed beneath them, as well as how they ended up abroad, so that every visitor knows the tragic story of these Chinese Cultural Relics.”

“As for the Western Artworks, you don't need to worry. I have my own channels, and I have already collected some exquisite pieces. Once the museum is built, they can be displayed to the public.”

Yan Fei had previously taken advantage of the favorable situation during the Seine River's flooding to acquire many genuine Western Artworks from the Louvre Museum in France, which included some of the Western world's uniquely precious treasures. Aside from the portion used for decorating his villa, all other works were stored in the Underground Secret Warehouse. Once the Chinese History Museum was successfully built, Yan Fei would exhibit these Overseas Artworks publicly; even those in his home would be brought out for display.

Yan Fei used to be a fervent nationalist, deeply pained by the loss of Chinese Cultural Relics to foreign lands. At that time, he was powerless, but after Dream Island developed to a certain stage, Yan Fei started to have thoughts of repatriating all the artifacts scattered abroad. To him, the Western Artworks he acquired from the Louvre Museum had no use, nor could he appreciate other cultures' art. Yan Fei's main purpose for exhibiting them and not fearing exposure was to fish for something bigger.

Yan Fei's aim was to use these treasures of Western Art to exchange for Chinese Cultural Relics that had ended up Overseas. To retrieve these Western Artworks, yes, but they would have to be exchanged for Chinese Cultural Relics of equal value. Once all of Yan Fei's foreign artworks were exchanged, it was estimated that almost all the Chinese Cultural Relics that were abroad would have made their way to Dream Island's Chinese History Museum. By then, the museum's collection on Dream Island would truly surpass those domestically, becoming the largest museum of Chinese Cultural Relics in the world.

Yan Fei's planning for Dream Island was far from over. He said, “On that chunk of New Land, I will also invest a large amount of capital to reconstruct the famous palaces from Chinese history. We will strictly follow the proper dynastic sequence of China and one by one restore the architectural features of those dynastic capitals. These ancient palaces, along with the Chinese History Museum, will form the Chinese History and Culture Park, becoming the largest cultural tourism project on Dream Island.”

“This Chinese History and Culture Park will not only welcome tourists for visits but will also be open for external use, leasing them to Domestic film and television companies, becoming the filming sites for Chinese Movies and Television shows. In short, we must capitalize on the cultural tourism aspect, turning Dream Island into the ultimate travel destination known for Chinese historical culture. Whenever someone wants to understand Chinese culture, Dream Island's Chinese History and Culture Park will be the first place they think of.”

Yan Fei's plans were very comprehensive and cohesive. His ultimate goal was to find ways to attract domestic Chinese People to settle on Dream Island, increasing its population. Although building the Chinese History and Culture Park would consume a large amount of capital, compared to the massive influx of people it would bring to Dream Island over the next several decades and the enhanced status of Dream Island in the hearts of the Chinese People, the investment was well worth it.

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