Catastrophe Card King
Chapter 1554 - Chapter 1554 Chapter 474 The Correct Way to Use Magic Sword

Chapter 1554: Chapter 474: The Correct Way to Use Magic Sword [Tirfeng] Chapter 1554: Chapter 474: The Correct Way to Use Magic Sword [Tirfeng] “Old Bible actually knows I’m in Giant Spirit City?”

Leonard Churchill looked at the deciphered secret message, his brows slightly furrowing.

He had just been guessing what Reuel Bible’s purpose for meeting him was, wavering over whether to meet. Now, seeing that the arranged meeting place was the “Hundred Confluence Opera House” in the central city district, he realized that his old friend not only knew he was in the city but even knew his exact location.

“Vampire sensory abilities? It seems Old Bible is seriously contaminated…”

Leonard instantly understood why.

Very few people knew about his secretive cultivation plan at the Royal Academy. Reuel Bible’s inexplicable secret message only hinted at one possibility, that of Vampire sensory abilities.

The Vampire clan has a very strict hierarchical division: first generation, second generation, third generation… arranged according to the order of contamination.

High Tier Vampires not only have control abilities over low-level Vampires, but they also possess bloodline sensory capabilities.

The container sealing ‘Crimson Corruption Seyadis’ was inside Reuel Bible’s body, which technically made him a Contamination Source.

Leonard himself also bore blood contamination.

Although this genetic enhancement had no negative effects on him, its source was, after all, the notorious Crimson Corruption.

Being sensed wasn’t too surprising.

“Heh heh…”

Thinking up to this point, Leonard chuckled lightly and had no other concerns.

Previously, he had been worried that Old Bible, being contaminated, was coming for the [container] inside him.

After all, what interested Reuel most was likely this.

But now, there was no need to worry.

Reuel Bible, with his current strength, could have just taken it by force, but he chose to contact him in the old way.

It was also an old friend’s way of telling him that his contamination was serious, but he still had self-awareness.

Leonard had many questions too.

For instance, why he wanted to assassinate the Pope.

Leonard took a Jumping Dragon Beast Carriage and soon arrived at the “Hundred Confluence Opera House” in the Central City District.

Opera was a traditional entertainment for the Upper Class society, a tradition carried over from the Taren Empire era.

Leonard had witnessed it during his time in the East Wilderness.

It was now nearly midnight, and the midnight performances usually contained some adult content.

Leonard spent a few Silver coins to buy a VIP ticket.

Looking at the program, the midnight stage play about to be performed was called “The Seductive Countess.”

The performance took place in the small hall of the opera house, which had only about a hundred seats in total.

Tonight, perhaps due to the auction, attendance wasn’t high.

Since Reuel Bible had arranged to meet him there, Leonard didn’t worry about not being found.

He simply found his seat according to the number and comfortably began to watch the opera.

The lights dimmed, music played, and the stage set represented an old manor.

Then actors came on stage, a beautiful actress played the Countess, along with some manor servants, sexy manor maids…

Leonard initially thought this “The Seductive Countess” was some sort of erotic play.

Though the actors’ dresses were sexy and the start featured exciting scenes of maids changing clothes, the narrative soon took an odd turn.

The monologue explained how the Countess drinks the blood of pure young girls to preserve her youth forever–wasn’t this a Vampire story?

Moreover, from every angle, wasn’t this akin to the happenings in Black Crow Fort’s Alternate Dimension, recounting events from Countess Mister’s youth?

“Now Vampire stories can be openly performed like this?”

Leonard found it quite interesting.

With a Holy Tribunal’s Sanctuary in the city, how daring of them to stage this play!

The actors were not only superb in their craft but also perfectly cast.

He had seen Madam Mister in Black Crow Fort, so when a young lady who had just married Count Misty Mountain appeared, he immediately found her familiar.

Not exactly alike but at least very similar.

No!

In fact, it might as well have been the young Countess Mister!

One coincidence could be just that, a coincidence, but a reconstruction in all aspects is not.

Seeing this, Leonard immediately realized there was something wrong with this stage play.

It appeared that the playwright was very knowledgeable about that historical period, perfectly filling in the historical blanks prior to the main storyline of “Black Crow Fort.”

And the historical storylines Leonard had deduced before were almost exactly the same.

Moreover, the actors didn’t seem to be just acting.

Because Leonard found that the Countess on stage appeared to truly be a Vampire.

Even stranger, in the later plot, the girl she was sucking blood from wasn’t just acting–it was a real first blood embrace.

The biting was real, the bloodsucking was real, not just prop blood plasma.

“So the Crimson Sect has spread so outrageously…”

Leonard discovered the stage play’s hidden “Easter Egg,” the corners of his mouth twitching with a mocking smile.

Previously, when looking at intelligence reports, he saw no mention of vampires, leading him to surmise that the Holy Church had likely failed to control the expansion of the Crimson Sect.

Now seeing vampires openly appearing in the theater confirmed his speculation.

As he watched, the play unexpectedly ended, and enthusiastic applause rang out from below.

“Clap, clap, clap, clap…”

The Midnight Theater always featured some bizarre acts.

Those genuine bloody and erotic scenes greatly satisfied the darker side of human desires.

The audience below didn’t know they had just witnessed a real Vampire transformation ceremony.

Though the young girl being sucked on stage struggled fiercely, Leonard could see she had been willing to be transformed from the beginning to end.

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